Eugène Atget, Bon Marche, 1926-27. George Eastman House
I recently came across the BBC adaptation of Émile Zola’s The Ladies’ Paradise and, as a self-confessed Francophile, couldn’t wait to begin watching it. A few episodes in, though, my enthusiasm dimmed when it became clear that the series didn’t faithfully follow the book. Zola’s novel is, at heart, an acerbic commentary on consumer culture, not a love story. Where Zola makes The Ladies’ Paradise, a department store, into a protagonist, the show instead relies on the budding romance between a shop girl and the store’s owner to drive it along. The Ladies’ Paradise is the backdrop of the story, but unfortunately not its focus.
Zola, often credited as one of the shrewdest observers of 19th-century French society, did not choose the department store arbitrarily as the setting for his novel. By the time he wrote The Ladies’ Paradise in the 1880s…
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