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Moisei Ginzburg’s constructivist masterpiece: Narkomfin during the 1930s

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The Charnel-House

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Recently I happened across a cache of extremely rare photos of Moisei Ginzburg’s constructivist masterpiece, Dom Narkomfin, in Moscow. They are reproduced here along with a brief popular exposition of the building’s history and current status by Athlyn Cathcart-Keays, which I thought quite good (despite an overly personalized narrative). Most of the photos were taken by three different individuals:

  1. Charles Dedoyard, a Frenchman and contributor to the avant-garde journal L’Architecture d’aujourd’hui;
  2. Vladimir Gruntal, a noted constructivist photographer and member of Rodchenko’s October Association; and
  3. Robert Byron, a British travel writer and Byzantine historian known for his deep appreciation of architecture.

It’s difficult for me to say whose photographs of Narkomfin I like best, as each capture very different “moods” of the building. Byron’s are dark, brooding, and ominous, while those of Gruntal and Dedoyard are comparatively sunny, vivacious, and light. Someone who knows more about photography, especially

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