By Bob Croce, EOP Publisher
If you have friends or family in Danvers, please let them know that they should call their selectmen immediately, and tell them to not be duped by Texas-based energy giant Kinder Morgan, which is now threatening their community with its unnecessary and dangerous natural gas highway.
After all, the spin masters at KM – led by Chief Propaganda Officer Allen Fore – are at it again today. With their usual brand of half-truths, misinformation, and outright lies, a KM spokesman is using the Salem News this morning to brag about the riches the company will bestow upon Danvers.
“The estimated annual tax projection [for] Danvers … is $150,000 the first year after the project is in service,” KM spokes-weasel Richard Wheatley said in today’s Salem News, a number that probably came out of thin air. You see, the KM propaganda machine has a reputation for…
View original post 416 more words
There is less of me than before.
Pieces missing, thin strips of tape
I peel off carefully, a scar
that sweeps across emptiness.
We were so full of holiday plans,
timetables, organising collections,
meeting deadlines, rushing,
running, shouting hurry, hurry.
Now there is only the stillness
of the rain against the window.
But when you helped me so slowly,
so carefully into that first bath
after surgery, the bubbles
and you looked at me
not as some broken, battered alien being
but with such patience, such kindness,
I thought this is what forever means,
in sickness and in health.
“Syrians are just looking for a quiet place where nobody hurts you,” says one refugee, who survived a capsized escape craft on his dangerous journey. Clarice Holt, an illustrator in London, was moved by the simple, powerful truths she heard in Melissa Fleming’s TED Talk — and made these beautiful illustrations to show the personal stories and shattering data of the modern refugee crisis.
“An illustration can be like Mary Poppins’ spoonful of sugar,” says Holt. “If someone is captivated by an image, they can absorb so many things along with it.”
Holt began the sketch in pencil, then used a brush pen to draw the images. She cleaned it all up using a Wacom tablet and her laptop. “I am really into pattern, and the fact that the talk centered on Syria, which has a rich history of decorative art, inspired me to cram as many patterns in…
View original post 207 more words
Recently I happened across a cache of extremely rare photos of Moisei Ginzburg’s constructivist masterpiece, Dom Narkomfin, in Moscow. They are reproduced here along with a brief popular exposition of the building’s history and current status by Athlyn Cathcart-Keays, which I thought quite good (despite an overly personalized narrative). Most of the photos were taken by three different individuals:
- Charles Dedoyard, a Frenchman and contributor to the avant-garde journal L’Architecture d’aujourd’hui;
- Vladimir Gruntal, a noted constructivist photographer and member of Rodchenko’s October Association; and
- Robert Byron, a British travel writer and Byzantine historian known for his deep appreciation of architecture.
It’s difficult for me to say whose photographs of Narkomfin I like best, as each capture very different “moods” of the building. Byron’s are dark, brooding, and ominous, while those of Gruntal and Dedoyard are comparatively sunny, vivacious, and light. Someone who knows more about photography, especially
View original post 1,202 more words
This gallery contains 20 photos